Landscape Photography Workshops : Landscape Photography Workshops: Information And FAQs

Landscape Photography Workshops Hosted By Aaron Reed

   When researching a photography workshop, there is much more to consider aside from the location & date of the event. The experience, personality and teaching style of the host should be considered first to get the most out of your investment. It is also important to understand the difference between a "photo tour" and a workshop and what to expect from each one of these very different events. Finally, your instructors body of work, success and photographic ideals should align with your own personal goals whenever possible. 

Photo Tour or Photography Workshop?

   Photo Tours are typically events where the guide will take you to locations based on their popularity in an effort to "show you the shot" or put you in the right place to capture a particular image. For some, this is all they are interested in and this type of event fits their needs well. For example, an experienced photographer from outside the area with little time to research or plan a trip may book this type of event. They don't require any actual instruction or inspiration and simply want to maximize their opportunity to capture the locations they hope to visit. 

   A Photography Workshop on the other hand is an event where the host is hands on with the clients offering inspiration, technical and creative instruction and guidance to the group and individual attendees. A workshop instructor should ultimately be able to inspire and encourage many different personality types. Not everyone is friendly and outgoing by nature and some feel uncomfortable in a group setting full of strangers. It is the job of the workshop instructor to quickly get to know each member of the group and be able to tap into their style and temperament quickly.  

Guide, Instructor or Teacher? 

   It is extremely important to understand what type of leader you will have regardless of the event being a tour or a workshop. I personally find there are three main personality types who host these events. As described above, the main requirement of a successful "Photo Tour" guide is knowledge of the locations you will be visiting and little more. In some cases, this type of tour is offered by a less experienced photographer who has the desire to offer workshops, yet lacks the experience or confidence to truly teach. 

   An instructor is often someone with a wealth of experience and knowledge to share but may have preconceived ideas about when or how to share this knowledge.  An instructor may have personal feelings about a certain type of photography or style. These beliefs may cause them to avoid teaching about or providing opportunity to experience images or ideals they do not agree with. For example, a photographic instructor who believes that overshot locations are not worth capturing images of may lead you away from these opportunities. As another example, one who does not enjoy HDR (high dynamic range) photography may even discourage this type of photography. The worst of this is that they could be discounting something you are personally interested in without even knowing! 

   A teacher is a leader who understands that their job is to find out what drives you personally and use this information to help you learn in the best way you can. This type of person helps you find out what works for you, not simply what worked for them. Knowledge gained from a true photography teacher can be used again and again regardless of the place, time of day or quality of light. A teacher helps you find your inner voice, what drives you and helps you strengthen the interests you have regardless of what those may be. This type of leader is usually charismatic and may be described as a people person, an important quality when trying to inspire a group of strangers over the course of a weekend. 

What Do You Believe In? 

   The most important piece of advice I can give a new photographer is to never allow anyone to tell you that you can’t, you won’t or you shouldn’t and believe me, they will try. There are a large number of photographers on social media today who seem to think that THEY know how YOU should create art. They speak as if the opinions and ideas that they have are concrete fact and share them openly, many times at the expense of a photographer who has yet to find their own artistic voice. Pay absolutely no attention to these often egotistical people and understand that because they have placed these limits on themselves, they are often unsatisfied with their own work. Create exactly what you want to and how you want to regardless of how you think others may perceive it. The greater the level of freedom you allow yourself when creating your art, the more personal and rewarding it will become. It is crucial during this period that you follow your own vision and do your best to filter out the noise. 

   Regardless of your status on the social media ladder, or where you are on your path as a photographer, please do not allow yourself to believe that the value of attention you receive online is greater than your own personal experience and happiness. While receiving praise through likes, thumbs up, high fives or fist bumps may make you feel all warm and fuzzy inside in the short term, these forms of “click and run” praise offer little value in the real world and often inflate egos to the point of no return. Do not allow yourself to believe that your popularity online directly equates to the quality of your work or your value as a person. If you see imagery online that you enjoy, take the time to understand WHY you enjoy it and if possible, share those honest feelings with the artist who created it. Participating in this process will help you as an artist more than any award, accolade or praise you will ever receive online. 


   If you are like me, finding joy in photography has changed your life. Your excitement and search for knowledge evoked by this creative outlet has led you to try to absorb all the information you can and social media happily force feeds it to you at every turn. As a new photographer it is natural to seek out the work of others who are more experienced than you. What you find will either motivate you further or begin to water the seeds of self doubt in your mind. It is important during this process to remind yourself that you are just beginning to scratch the surface of your own creativity. Those you look up to now doubted themselves as well in the beginning. Today, thanks to social media and the relentless barrage of high quality imagery we face daily many are afraid to show anything but their very best work, once again placing restrictions on their creativity and their art. 

Genuine Student Reviews

 I operated a full time photography workshop business between 2008 and 2014 leading up to the birth of our daughter. Between 2014 - 2018 I took a break, reducing the workshops I was offering to just one per year. As a result, I focused on the fine art portion of my business and much of my workshop material online, including my student reviews is now outdated or removed from the web. Deciding to start over from scratch, I decided in July of 2018 to begin eliciting new reviews from my students going forward. When they are provided to me I will be placing them here, separate from my fine art customer reviews. Until this list is long enough to offer you a real world glimpse of my teaching style and the workshops that I offer, I am happy to provide more personal references to anyone considering joining me in the field. 

* I write very few reviews unless I find the experience/product was exceptional. In this case the Leavenworth WA workshop with Aaron Reed Photography I experienced was definitely deserving of a review. I found the  group of photographers were of different levels of experience and talent and Aaron was excellent at adjusting his communication skills to meet their level, if someone did not get it the first time around he did not hesitate to spend extra time with them. Aaron has a very gentle unassuming manner about him and a great passion for his love of the environment and how to capture mother nature in all her glory. He is very professional along a side of a little humor and more than willing to share his knowledge of his work and how he creates it. I would recommend anyone wanting to expand their photography knowledge, bring back great memories, along with beautiful images to sign up and experience a workshop with Aaron Reed. - Bill Stoffers

The Experience - What To Expect In The Field 

How To Pre-Visualize And Capture Compelling Compositions That Grab AND Maintain The Attention Of Your Audience

100% Manual Operation Of Your Camera And Creative Exposure Control For Best Results

Reading, Understanding and Using Your Histogram To Capture The Best Possible Exposure In The Field 

How To "Fill The Frame" using Dynamic Compositions While Eliminating Negative Or Empty Space

How To Identify Your Main Subject And Supporting Subjects With One Easy Trick

How To Choose The Best Aperture, Shutter Speed, White Balance And ISO For The Image You Are Creating

Tips N Tricks For Low Light, Backlit Scenes And Other Difficult Lighting Situations In The Field

How To Tell A Story With Your Imagery

How To Use Filters As A Creative Tool And As A Way To Balance Light Or Capture Deep, Rich Imagery In Any Situation

Ways To Reduce Your Setup Time And How To Stay Fast On Your Feet While Shooting

Tips For Planning And Scheduling Your Photo Expeditions Including Planning, Preparation And Finding Inspiration 

 How To Use Balance, Depth, A Sense Of Motion And Light To Create Visually Stunning Images

Learning When To Go Big And When To Find The Little Things In Your Images For Deeper Meaning And Connection With Your Audience 

Maximizing Depth Of Field And How To Maintain Maximum Sharpness In Your Images

The Experience - Post Processing & Workflow

Simple, Clean Post Processing Tips Using Luminosity Masks And Selections That Free You Up To Spend More Time In The Field And Less At Your Computer

Tips And Tricks For Enhancing Color & Contrast In Your Images Without Overdoing It Or Degrading Image Quality 

Simple but Powerful Ways To Balance Exposure And Enhance Your Images Without Blending Multiple Exposures

Creating Panoramic Images and General Exposure Blending

Increasing Resolution And Sharpening To Create Large Prints And Post Processing Adjustments To Make Depending On Print Size And Medium

Creating And Maintaining Your Visual Style During The Editing Process

Isolating And Fine Tuning Images By Color, Luminosity, Style Or Creative Vision